Split Screen (2023) Review
The best way to describe Split Screen is that it’s like Tarantino and Rodriguez’s Grindhouse. Only it’s found footage and ultra low budget.
The best way to describe Split Screen is that it’s like Tarantino and Rodriguez’s Grindhouse. Only it’s found footage and ultra low budget.
The 70s seem to be back in vogue. Earlier this week I reviewed Abigail, set in 1976, and now we have The Sacrifice Game, which opens with Mansonesque home invasion on December 22nd, 1971.
Black Mold opens with the camera gliding down a suburban street like a kid on a bicycle, it turns into a driveway and the into a house whose front door helpfully opens for us.
Nightmare on 34th Street was a film I thought I’d never see. I first saw the title back around 2017 when I was reviewing writer/director James Crow’s films House of Salem and Black Creek.
In 1976 Abigail and her mother Eve arrive in East Nowhere, Alabama, telling their new neighbours they left California because it was “time for a change.”