Nicholas Cage is a lumberjack and he’s definitely not OK. He used to be, enjoying a peaceful life in the wilderness with his artist girlfriend but a psychotic cult leader ruined that idyllic existence. Now he’s out for bloody revenge. Sounds like a typical Nicholas Cage film, right? Well MANDY, Panos Cosmatos’ follow-up to BEYOND THE BLACK RAINBOW is anything but typical.
It’s 1983 and Red Miller (Nicolas Cage, MOM AND DAD, PRIMAL) and his beloved Mandy Bloom (Andrea Riseborough OBLIVION, POSSESSOR) live a peaceful life in the woods where he works as a lumberjack. She’s an artist. They love each other, long talks about their favourite planets and life in general.
Then she catches the eye of Jeremiah (Linus Roach BATMAN BEGINS, DIVISION 19) the Mansonesque leader of The Children of the New Dawn. Unlike other cult
Sold as a
Once the deed is done however the film simply goes batshit. There’s really no other way to put it. Cage has an epic drunken meltdown on a toilet that makes his performance in MOM AND DAD look restrained. And then he gets violent. Getting some info and weapons from Caruthers (Bill Duke PREDATOR, ACTION JACKSON) he takes on The Black Skulls, the demonic bikers who kidnapped Mandy. Looking like a cross between GWAR and a pack of Cenobites this sets to tone for what’s to come. It also features a death that pretty much defines “Go fuck yourself”. Loading up on the occult infused drugs that fueled them he sets his sights on Jeremiah and his crew.
It might be worth noting that Panos Cosmatos is the son of the late George P. Cosmatos who gave us COBRA and LEVIATHAN among others so action scenes may be in his DNA. The film has a chainsaw duel that’s the best I’ve seen since MOTEL HELL, but he also carves his own path away from his father’s more straightforward films. With animation, random tigers and all the rest MANDY is anything but straightforward. What it is, is a trip into Hell that stops to appreciate the scenery.
MANDY is currently in limited theatrical release and available on VOD.